Legitimate Vagina Catalog 2012
Brock, Brownell, Miranda
Alexandra Rutsch Brock
Vagina, ceramic
Alexandra Rutsch Brock
Vagina, ceramic
Alexandra Rutsch Brock
Vagina, ceramic
Alexandra Rutsch Brock
Vagina, ceramic
Alexandra Rutsch Brock
Vagina Wall, ceramic
Mia Brownell
Still Life with Meat V, 2012
Oil on panel, 6x6 inches
Mia Brownell
Still Life with Meat II, 2012
Oil on panel, 5x5 inches
Mia Brownell
Still Life with Meat, 2012
Mia Brownell
Still Life with Break (Up) from Adam, 2010
Oil on canvas 42x30 inches
Cristina da Gennaro
Vagina Dentata or How Western Culture Sees Hungry Girls
Archival inkjet prints, collage, gouache, and graphite on paper.
18”X26”
Even in this “post-feminist” age, women who try to take control over their lives are viewed as dangerous, their appetites for independence seen as a threat to the status quo of the nuclear family, while the real dangers, affecting both men and women alike, are those pervasive engendered stereotypes that limit as they define us as social beings.


Cristina da Gennaro
Cristina da Gennaro
Teeth (What Do You Do With a Wife of Forty) 2012
Cyanotype and kallitype, collage, gouache, and graphite on paper
14”X19.5”
Cristina da Gennaro
Teeth (What Do You Do With a Wife of Forty) detail
Cristina da Gennaro
Teeth (What Do You Do With a Wife of Forty) detail
Marcy B. Freedman
Picasso and the Pussy
Marcy B. Freedman
Picasso and the Pussy
Marcy B. Freedman is an artist and an art historian. For the exhibition she has designed an interactive performance that will challenge gallery visitors to look, think and talk about one man’s relationship to female genitalia. Hopefully, her project will inspire many to ponder the wider implications of the scenario under examination.
Natalie Giugni
Welcome To Take 2012
fabric and fortune cookies
Jenna Kelly
BabyFace 2012
Polaroid 3”x3”
BabyFace, BabyTalk and BabyBath are manifestations of anxieties caused by deciding to or not to become the Maternal Being. The mother acts as host to biological conversations that occur within her own body. Allowing the “other” to mutate within the self and even overtake one’s original identity and physical body. Resulting in the never-ending pressure to be the Eternal Maternal Being. Cultural pressures placed on women to wed and produce offspring in spite of current overpopulation, and a woman’s right to choose are at the root of my explorations. No matter how supple we appear, how maternal we act, our body is controlled by our choices as intelligent, strong and LEGITIMATE women.
Jenna Kelly
BabyTalk 2012
Polaroid 3”x 3”
Jenna Kelly
BabyBath 2012
Polaroid 3”x 3”
Fay Ku, Up High, Down Low
2012
Graphite on Fabriana Rosaspina
27 1/2 x 39 inches, Photo: Bill Orcutt
Sasha Kopelowitz
Revisionist History 2008
gouache and acrylic on paper 12 x 16"
Katrina Rhein
Eat Me
Mira Schor, Cadmium Red Purper
1995
oil on linen
12x16"
Mira Schor
Slit of Paint, 1994
Oil on linen, 12" x 16"
Kiki Smith
Vagina 2008, ink on Indian paper
Amy Swartele
'Gertrude, The Amazing Cooch Monster, On The High Wire 2012
24" x 20" ink, oil on linen
Rachael A. Vaters-Carr
Uplift, 2012
hydrocal and wood 22"x36"x9"
Faith Wilding
Illustration from "Vulvas with a Difference"
in the subRosa book - "Domain Errors! Cyberfeminist Practices!"
Tricia Wright
Artemis Hide, 2010
Paper, rubber, metal 25 x 21" (framed)
Tricia Wright
Areola, 2010
Paper, rubber, metal 15 x 15" (framed)
Tricia Wright
Off-Switch Doily, 2010
Paper, plastic, metal 15 x 15" (framed)
Tricia Wright
Collar, 2012
Paper, glass, dressmakers pins, nylon
14 x 14 inches (framed)
Tricia Wright
Buckle, 2012
Paper, leather, metal, 14 x 14 inches (framed)
Tricia Wright
Domestic Animal; Zipper , 2012
Paper, feathers, metal vent, fabric and metal zipper, nylon
16 x 16 inches (framed)